Ser Serpas presents paintings and four installations at Kunsthalle Basel. It is her largest institutional exhibition in Switzerland up to date. There is pain, audio and visual. Naked bodies in positions of suffering or dissolution.
Tag: Painting
Elodie Seguin. Parcours
Elodie Seguin performs at PEAC. For her first institutional solo exhibition in Germany, the artist has conceived nine site specific interventions: the exhibition itinerary unfolds between minimalism and colour experiments, monochromacy and transparency, transformation and temporality.
Sam Cherof: The Richness of Being
In Sardinia, Sam Cherof discovers the richness of being. Completed during his residency at Nalusaca, Sardinia, the new paintings presented in 'I tried to learn to meditate' at Stallmann, Berlin, involve all senses and nuances. Art as a sensual discovery, between childhood and transformation.
À propos des œuvres d’Alizée Gazeau à Venise
“I tore everything apart … I grew a lot.” Alizée Gazeau's paintings resemble skin, maps, fossils, and hieroglyphs. Their reddish tones recall blood and femininity; their surface evokes time and process. Her installation "Océanité" at Lapis Lazuli: artE embraces looseness and the acceptance of flow.
Gertrude Stein: Image, word, abstraction
The exhibition "Gertrude Stein et Pablo Picasso. L'invention du langage" explores the influence of Gertrude Stein on the visual arts of the 20th century. An insanely good exhibition, providing new perspectives and outstanding works!
Daniel Spivakov: Chronorama Redux, 3rd Chapter
Daniel Spivakov presents the third chapter of his contribution to the exhibition Chronorama Redux at Palazzo Grassi, Venice. The three paintings show images between strass and hoodie, lipgloss and dirt, force and ennui. The sweetness and void of celebrity, manifested in paint.
a matter of time: Roberta Cotterli and Claudio Zorzi
The artist-couple Roberta Cotterli and Claudio Zorzi jointly present their work. Roberta Cotterli’s sculptures examine male representation in art history; Claudio Zorzi’s portraits develop the idea of a modern Icon. Both investigate time in relationship with process, art history, and moments spent with the other. The exhibition centres around the question of muse and model, suggesting a play between intimate representation vs. presented intimacy. Classical motifs are taken up and continued; roles are turned around. Old Masters and Christian iconography intersect with the Contemporary. a matter of time.
Deliciously Aesthetic
"Tutti Frutti. A new harvest on the classics" is what the name promises: an experimental, juicy reinterpretation of the fruit still life. The exhibition combines the 15th century with the contemporary, and religious with conceptual gestures.
Josh Sperling: A walk through
Josh Sperling’s exhibition ‘Head Over Heels’ is a contemporary climax from the bottom to the top floor. The works combine nature and craftsmanship through different stages of colour, canvas, and complexity. Their optical play presents mesmerizing mazes between mandalas and marble game.
#eyeofthestorm
A twenty-first century Turner. A green Renaissance. Politics and theatre, home and commerce. Past becoming immediate present. The exhibition Avant l’orage (Before The Storm) at Bourse de Commerce – Pinault Collection shows prophetic oeuvres comprising all media, subjects, perspectives, and interpretations.