The Kunsthalle Bielefeld presents works by Oscar Tuazon, based around the question: what do we need? Continuously re-considered, the question, according to the artist is more important than the answer. The exhibition offers engaging points of departure for its reflection.
Category: Reviews
Forming Time: Glenda León
The Fundació Miró Palma shows the work of Glenda León in dialogue with the work of Joan Miró. The two artists share colour, shapes, and a sense of place – exciting but calm, aesthetic but free.
Rafaël Rozendaal: Colour, Code, Communication
'Rafaël Rozendaal: Color, Code, Communication', at Museum Folkwang poses the question: what will be the image in the 21st century? The works in the exhibition offer practical and intellectual examples, reflective and fun.
Violent Void: Laura Lamiel
Laura Lamiel's 'Vous les entendez?' at Palais de Tokyo proposes a parcours through different media, colours, and experiences. The quietly and plainly shocking presentation counteracts a numbness in the face of an omnipresence of images of violence.
Mystery Street: Vasantha Yogananthan
Vasantha Yogananthan has captured specific moments and a specific place. Fragile and immediate images. A quiet exhibition, very worth seeing.
House on Fire: Sur le feu
In his essay "Dispersion", Seth Price asks for an Art Degree Zero, categorically ambiguous. The exhibition "Sur le feu" at Académie des Beaux Arts, Paris, comes close. Through its focus on practice, the exhibition asks what do we ask from an art exhibition today.
Deliciously Aesthetic
"Tutti Frutti. A new harvest on the classics" is what the name promises: an experimental, juicy reinterpretation of the fruit still life. The exhibition combines the 15th century with the contemporary, and religious with conceptual gestures.
Josh Sperling: A walk through
Josh Sperling’s exhibition ‘Head Over Heels’ is a contemporary climax from the bottom to the top floor. The works combine nature and craftsmanship through different stages of colour, canvas, and complexity. Their optical play presents mesmerizing mazes between mandalas and marble game.
#eyeofthestorm
A twenty-first century Turner. A green Renaissance. Politics and theatre, home and commerce. Past becoming immediate present. The exhibition Avant l’orage (Before The Storm) at Bourse de Commerce – Pinault Collection shows prophetic oeuvres comprising all media, subjects, perspectives, and interpretations.
David Salle. Farbe and Feeling
Fragmented limbs and hysterical women, candy on canvas, but with substance. Matisse, marks, and Loriot: David Salle conceiving perfect paintings.