Venice Diaries I: Marlene Dumas. open-end

The Venice Diaries present projects around the 59th Venice Biennale 2022. Episode I: Figures like ghosts, painting like drugs: Marlene Dumas’ monographic exhibition 'open-end' at Palazzo Grassi in Venice. An incomplete Review

Introducing: Sam Cherof

Sam Cherof's work is evolution. His latest paintings are large-format, ungrounded canvasses in gesso-and-pigment technique. Focussing around the concept of approachability, these works highlight physical experience and a universal understanding. The artist's path and comments up until now.